Garry Winogrand: Fort Worth, Texas, 1974 / Rodeo Cover / Vintage /gwh-13/ Signed
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Garry Winogrand: Fort Worth, Texas, 1974 / Rodeo Cover / Vintage /gwh-13/ Signed:
Garry Winogrand (1928-1984)
Fort Worth, Texas, 1974
From the series:Stock Photographs: The Fort Worth Fat Stock Show and Rodeo (Cover of monograph)
Vintage gelatin silver print, printed 1978
Numbered “29” from an edition of 100
Signed and numbered in pencil on verso
Published by Hyperion Press Ltd, New York in 1978
Image size: 8 ¾ x 13 ¼ inches
Paper size: 11 x 14 inches
Mat size: 16 x 20 inches
Illustrated: John Szarkowski, Winogrand: Figments From the Real World, The Museum of Modern Art, New York, 1988, p. 190; Leo Rubinfien (ed.), Garry Winogrand, San Francisco Museum of Modern Art, San Francisco, 2013, pl. 313; Garry Winogrand: Stock Photographs: The Fort Worth Fat Stock Show and Rodeo, Olympic Marketing Corp, 1980, COVER
San Francisco Museum of Modern Art (SFMOMA)mounted a retrospective of Garry Winogrand’s work, which was on displayMarch 9-June 2, 2013.After premiering at SFMOMA, the exhibition "Garry Winogrand" travelled to theNational Gallery of Art, Washington, D.C.(March 2 through June 8, 2014) andThe Metropolitan Museum of Art, New York(June 27 through September 21, 2014). Venues also included: theJeu de Paume, Paris(October 14, 2014 through January 25, 2015); and theFundacion MAPFRE, Madrid(March 3through May 10, 2015).
New York Times Review:For further information regarding the exhibition at the Metropolitan Museum of Art, New York, please refer toThe New York Timesreview"No Moral, No Uplift, Just a Restless 'Click'"by Holland Cutter inthe July 3, 2014 edition.
Garry Winogrand (14 January 1928, NY City,– 19 March 1984, Tijuana, Mexico) was a street photographerknown for his portrayal of Americain the mid-20th century. John Szarkowskicalled him the central photographer of his generation.
Winogrand was influenced by Walker Evans and Robert Frankand their respective publications American Photographs and The Americans. Henri Cartier-Bressonwas another influence although stylistically different.
Winogrand was known for his portrayal of American life in the early 1960s. Many of his photographs depict the social issues of his time and in the role of media in shaping attitudes. He roamed the streets of New York with his 35mm Leicacamera rapidly taking photographs using a prefocused wide angle lens. His pictures frequently appeared as if they were driven by the energy of the events he was witnessing.
Winogrand's photographs of the Bronx Zoo and the Coney IslandAquarium made up his first book The Animals (1969), a collection of pictures that observes the connections between humans and animals. His book Public Relations (1977) shows press conferences with deer-in-the-headlight writers and politicians, protesters beaten by cops, and museum parties frequented by the self-satisfied cultural glitterati. These photographs capture the evolution of a uniquely 20th and 21st century phenomenon, the event created to be documented. In Stock Photographs (1980), Winogrand published his views of the Fort Worth Fat Stock Show and Rodeo.
At the time of his death there was discovered about 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and contact sheets made from about 3,000 rolls. The Garry Winogrand Archive at the Center for Creative Photography(CCP) comprises of over 20,000 fine and work prints, 20,000 contact sheets, 100,000 negatives and 30,500 35mm colour slides as well as a small group of Polaroid prints and several amateur motion picture films. -- wikipedia
The Animals. 1969. Museum of Modern Art, NY.
Women are Beautiful. 1975. Light Gallery/Farrar, Straus & Giroux.
Public Relations. 1977. Museum of Modern Art, NY
Stock Photographs: The Fort Worth Fat Stock Show and Rodeo. 1980. Olympic Marketing Corp.
The Man in the Crowd: The Uneasy Streets of Garry Winogrand. 1998. Fraenkel Gallery.
The Game of Photography. 2001. Tf Edition.
Winogrand 1964. 2002. Arena Editions.
Arrivals & Departures: The Airport Pictures of Garry Winogrand. 2002. Charles Rivers.
Figments from the Real World. 2003. Museum of Modern Art, NY.
1986. "Little-known Photographs by Garry Winogrand", Fraenkel Gallery, San Francisco
1985. Williams College Museum of Art, Williamstown, Massachusetts
1984 "Recent Works", Houston Center for Photography, Texas; "Women are Beautiful", Zabriskie Gallery, NY; "Garry Winogrand: A Celebration", Light Gallery, NY
1983. "Big Shots, Photographs of Celebrities, 1960-80", Fraenkel Gallery, San Francisco
1981 Light Gallery, NY; The Burton Gallery of Photographic Art, Toronto
1980 Galerie de Photographie, Bibliotheque Nationale, Paris; "Garry Winogrand: Retrospective", Fraenkel Gallery, San Francisco; University of Colorado, Boulder
1979 "Greece", Light Gallery, NY; "The Rodeo", Alan Frumkin Gallery, Chicago
1977 The Cronin Gallery, Houston; Light Gallery, NY
1975. "Women are Beautiful", Light Gallery, NY
1972 Light Gallery, NY
1969 "The Animals", The Museum of Modern Art, NY
SELECT GROUP EXHIBITIONS:
1983 "Masters of the Street: Henri Cartier-Bresson, Josef Koudelka, Robert Frank and Garry Winogrand", University Gallery, University of Massachusetts, Amherst
1981 "Central Park Photographs: Lee Friedlander, Tod Papageorge and Garry Winogrand", The Dairy in Central Park, NY
1980 "Bruce Davidson and Garry Winogrand", Moderna Museet / Fotografiska Museet, Stockholm, SwedeN; "Garry Winogrand, Larry Clark and Arthur Tress", G. Ray Hawkins Gallery, Los Angeles
1978 "Mirrors and Windows: American Photography since 1960", The Museum of Modern Art, NY
1977 "Public Relations", The Museum of Modern Art, NY
1976 "The Great American Rodeo", The Fort Worth Art Museum, Texas
1975 "14 American Photographers", The Baltimore Museum of Art, Maryland
1971"Seen in Passing", Latent Image Gallery, Houston
1970 "The Descriptive Tradition: Seven Photographers", Boston University, MA
1969 "New Photography USA", Traveling exhibition prepared for the International Program of The Museum of Modern Art, NY
1967 "New Documents", The Museum of Modern Art, NY City with Diane Arbus and Lee Friedlander, curated by John Szarkowski
1964 "The Photographer’s Eye", The Museum of Modern Art, NY
1963 "Photography ‘63", The George Eastman House of Photography, Rochester, NY
1957 "Seventy Photographers Look at NY", The Museum of Modern Art, NY
1955 "The Family of Man", The Museum of Modern Art, NYInternational Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to offerding or buying. -- per International Shipping Rules