Igbo Afikpo Helmet Mask Calabash Beads Cowrie Shells
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Igbo Afikpo Helmet Mask Calabash Beads Cowrie Shells :
$490.00
TitleIgbo Afikpo Helmet Mask with Calabash Beads Cowrie Shells on Stand Type of ObjectHelmet mask Country of OriginNigeriaPeopleIgbo Afikpo, Ekpe or Ojukw, YorubaMaterialsWood, gourd or calabash, cowrie shells, beads, encrustationApproximate Ageprobably mid 20th centuryDimensions27.5 inches H. on Stand 13 inches H. Mask only x 8 inches W. Overall ConditionGood. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners. Please look carefully at the pictures which may also reveal condition and damage.Damage/Repairworn patina, a few missing cowrie shells and beads
Additional Information: Unique objects from West Africa still have the power to surprise and challenge even the most astute and knowledgeable collector. Its\' the case with this wonderful mask. This is a testament to the imagination and creativity of the African carver and the great variety of forms of masks and figures. This composite helmet mask is most likely found among the Igbo or among the Afikpo and Ojuw group in the north-central region in the of present day Nigeria. This region is an area rich in a number of mask types serving major masking associations with a number of masks yet unclear as to their specific significance.The Igbo have produced a few known gourd masks.( a famous example at The Metropolitan Museum. New York). This mask also shares some stylistic elements with the Ekpe or Ojuku group. The mask could also come from the Yoruba, neighbors of the Igbo for the symbol in the back of this mask recall some egungun or Gelede masks. No example has been found in books. The face is characterized by a long nose, two circular openings in place of eyes, a cowy snail as mouth. The mask itself is made from calabash and cowry shells are glued into the surface and onto plaited raffia fibers. Beaded strands in the form of veils, ending with cowries, are attached around the mask, This mask is in good condition and was well preserved despite the fragility of the calabash. This helmet mask with its abstract form and its impressive decoration would add a significant holding in the arts of Africa to a collection.
Until we confirm its true identity, it will a challenge to provide its context of uses and its function. In general such masks would represent the spirits and would perform during important ceremonies.
Recommended Reading:
Cole, H.M. and C. C. Aniakor; Igbo Arts, Community and Cosmos. 1984.
I have examined this piece and agree with the description
Niangi Batulukisi, PhD.
**71452**
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