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Signed Carrier Red Patina Toga Girl Party Bronze Sculpture Figurine Figure Art For Sale
Condition: This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 15 1/2" x Width 6 1/2"Marble Size: Diameter 4"Height without base: 13"Weight :7 LBSInventory : 36DS194B3563
She daydreams of one day becoming a dancer like the stunning women she watches on stage. She mimics the movements that she remembers. Their fluid arms, pointed toes and flowing bodies. She gazes down at her feet as she raises to the balls of her feet like the ballerinas she's seen so many times. She sways her arms around her small and still blossoming body. As she spins and twirls, she hums a familiar melody in her head. Her short silk wrapped dress falls off her humble breast. She is a brown patina but her hair is green and her dress is a light sorbet orange. 100% bronze and handmade, this sculpture was cast using the "Lost Wax Method" and mounted on a marble base and is signed A. Carrier.
Although mechanization has facilitated the lost wax process of bronze
casting, the procedure is basically the same as that used by the Chinese when
they first developed the process in the 2nd millennium BC.
This image is coated with a silicone rubber molding material that makes
two rubber mold halves (each rubber mold has a front and a back piece). A
fiberglass outer shell is added to the back of each mold so it retains its
shape and rigidity during subsequent uses.
These molds are the only components that are ever re-used in the casting
process. All other components are re-created for each casting.
Once the wax has cooled, the mold is peeled away, yielding a wax image
(the wax positive") duplicating the original sculpture.
This image must then be "touched -up" to remove any seam lines, scratches
or other flaws, as well as to recreate any pattern or texturing that was
lost or damaged when the wax was made.
The quality of the finished bronze relies on a clean, high quality mold
and an impeccably recreated wax image that is as near to perfect as possible.
These sprus are created by attaching wax rods to the finished wax form at
strategically spaced locations.
After the gating is completed each wax form is dipped in a liquid ceramic
silica-sand compound so it is completely coated inside and out. Holes
called "patches" have been cut into the wax to allow an entrance to the inside
of the form.
The form is subsequently dipped 6 to 12 or more times over a period of
several days until the desired shell thickness is achieved.
As the sculpture cools the ceramic shell begins to pop away from the
This shell will be completely broken away, using a hammer and chisel,
before the superfluous metal materials are cut away.
Any pieces of a sculpture that were cast separately are welded back onto
the sculpture and any seam lines or other imperfections are removed or
The sculpture is then polished in preparation for application of the
The various colors, patterns and textures obtained in the patina process
are achieved through a combined application of chemicals and heat, augmented
by hand stippling, or spraying with an air brush, and sealed with lacquer
This edition number is decided by the artist, usually after the first
piece has been cast, and individually stamped on each piece (i.e. 1/100) thus
concluding the process of bronze sculpture production.
If that rare occasion arises where you feel you must return an item,
please contact us by calling 516-280-8072 for return instructions within Fifteen
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item(s) if returned in the same condition as sent to you, excluding any
shipping/insurance costs for which you were responsible. Buyer is responsible
for return shipping/insurance costs, which will not be reimbursed for any
reason. Returned merchandise must be received by us within seven (7) days of
the date from which you contact us regarding the return.
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