The Toast of New Orleans (VHS) w. Mario Lanza & Kathryn Grayson

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The Toast of New Orleans (VHS) w. Mario Lanza & Kathryn Grayson:
$0.99

\"The Dreams That You Inspire, With Every Sweet Desire, Be My Love\"
Author:bkoganbingfrom Buffalo, New York
1 February 2008

With the success that Mario Lanza and Kathryn Grayson had in That Midnight Kiss, MGM knew it had a box office team of appeal. The following year the two of them moved from contemporary Philadelphia to pre-World War I, New Orleans.People paid their money to hear Mario sing and really didn\'t care about the plots of his films. Lanza was cast as an opera singing truck driver in That Midnight Kiss, as an opera singer drafted into the army in Because You\'re Mine, and the greatest opera singer of all in The Great Caruso. I think we can see a pattern forming here.In The Toast of New Orleans Lanza plays a shrimp fisherman who works on the boat with his uncle J. Carrol Naish. When opera singer Kathryn Grayson comes to town, Lanza boisterously and impulsively joins her in a duet of Be My Love. Her manager and New Orleans opera kingpin, David Niven is as impressed as everyone else was in 1950 with Mario\'s voice. He\'s even willing to overlook to some extent the fact he\'s moving in on Grayson.Acting wise The Toast of New Orleans is no strain on anybody. Mario and Kathryn play a pair of singers and Mario as in all of his films, just played himself. It\'s interesting that the only times he attempted to play a role from classic operetta, The Student Prince and The Vagabond King it didn\'t work out for him.As for David Niven, he\'s as debonair and charming as he always was. Niven carried more films on the strength of his charm than any other star in the sound era.But no one worried about acting and a plot in this film. Like That Midnight Kiss, The Toast of New Orleans has a nice mixture of classical opera and some good songs by Nicholas Brodzsky and Sammy Cahn to round out a very full score. One of the songs, Be My Love, became Mario Lanza\'s signature song, his biggest selling record on RCA Victor Red Seal label. You could not go ANYWHERE in 1950 without hearing Be My Love coming out of some radio. Be My Love was nominated for Best Song in 1950, but lost to Mona Lisa.Norman Taurog directed Mario in this film, he had previously won an Oscar for Skippy and had directed Spencer Tracy to his second Academy Award in Boy\'s Town. Taurog was an interesting choice for a director to pilot a picture with a personality like Lanza. Later on Taurog would end his career directing nine of Elvis Presley\'s feature films, another instance of him directing a mega-pop personality successfully.

My favorite Mario Lanza\'s film!
Author:María Teresa Camp Gozalbofrom Mexico
7 July 2004

I\'ve watched this film more than 50 times, and no matter how many times as I watched, I liked it more and more. Mario Lanza was just unique; I agree that he did not get educated as a vocalist, but his natural vocal abilities were so impressive, that none of the best tenors couldn\'t compete with his magnificent voice. Arturo Toscanini named him \"the voice of the century\". This film is fresh and light and romantic, Mario\'s performance of \"Be my love\" as a duet is nice too, and \"Madame Butterfly duet\" is the best I\'ve ever heard. David Niven, J. Carroll Naish, and Rita Moreno, each one in their role played just as wonderful too. Mario Lanza should be on the opera stage but if it was so, ordinary people wouldn\'t have the opportunity to be delighted by that performance.

A fisherman becomes the \"Toast of New Orleans\"
Author:blanche-2from United States
6 September 2006

Using the formula that worked so well in \"That Midnight Kiss,\" Mario Lanza, this time one Pepe Duvalle, is again discovered by someone with connections to the opera world while he\'s singing his heart out doing his normal job. Here he\'s a bayou fisherman, but after the loss of their boat, Pepe and his Uncle Nicky (J. Carrol Naish) head to New Orleans to look up the opera director (David Niven) who offered Pepe an opportunity after hearing him in the village when Pepe joins his prima donna (Grayson) in song. Pepe finds himself in love with the somewhat cold diva, who is being pursued by Niven.Lanza is in fine form as a crude, loud, uneducated man who, in order to fit into New Orleans society and the opera world, has to learn manners, as well as how to dance and dress. A natural actor, he makes his complete transformation believable. He sings Jose\'s aria from \"Carmen\" beautifully, and this film introduces his hit, \"Be My Love\" to audiences, which he sings with Grayson. With the diminutive soprano, he also does \"Libiamo\" from \"La Traviata.\" In the days in which this story is set, a singer like Grayson would have sung \"Traviata,\" though audiences aren\'t used to hearing a fluttery coloratura sing it any longer. The two perform the love duet from \"Madama Butterfly\" as well - an absolutely horrid choice for Grayson, calling for a much weightier voice. Obviously the repertoire was chosen with Lanza in mind. Had MGM not used \"Lucia\" in \"That Midnight Kiss,\" they could have perhaps used it here. Grayson gets to use her high extension in \"Je suis Titania,\" but the rest of the aria suffers from pitch difficulties.Lanza really helped to commercialize opera in the United States, but he did it without the help of MGM. Is it necessary for Niven to give the wrong explanation for the duet \"La ci darem la mano?\" And why, during the Butterfly duet, which is total foreplay, does Grayson constantly try to get away from Lanza? No matter her personal feelings, she was on stage playing a role.Grayson looks lovely in an assortment of magnificent gowns and hats, and if her voice doesn\'t match Lanza\'s, it doesn\'t mean she could not have sung opera, which is often the criticism. There is definitely a place for coloratura sopranos in the opera world - just not singing with spinto tenors.J. Carrol Naish plays an embarrassing, annoying stereotype as Uncle Nicky; Niven is wonderful, if underused, and his perfect voice and smooth manners are in great juxtaposition to Lanza\'s bumbling Pepe. James Mitchell, known to soap opera audiences now as Palmer Courtland on \"All My Children\" has a good featured part as a friend of Pepe\'s from the bayou, and he and a very young Rita Moreno, who\'s in love with Pepe, do a spirited dance number.Lanza\'s reign at MGM was disappointingly short, and yo-yo dieting and drinking would claim his life nine years after this film. But what years, in which he gifted the world with his fresh, passionate, Italianate sound and thrilled millions of people all over the world