Vintage 1920s Marion Davies Clarence Sinclair Bull Large Portrait Photograph
This item has been shown 0 times.
Vintage 1920s Marion Davies Clarence Sinclair Bull Large Portrait Photograph:
Thanks for visiting Grapefruit Moon Gallery on , we are honored to be your one-stop, 5 star source for vintage pin-up, Hollywood glamour and erotic photography, pulp magazines, original illustration art, decorative collectibles and ephemera with a wide and always changing assortment of antique and vintage items from the Victorian, art nouveau, art deco, & mid-century modern eras. All items are 100% guaranteed to be original, vintage, and as described. Please feel free to contact us with any and all questions about the items and our policies and please take a moment to peruse our other great items. All sell . ITEM: You are offerding on an antique original 1920s exquisitely beautiful double weight large format gallery photograph by Clarence Sinclair Bull of the incandescent Marion Davies, looking spectacular, as virtually always. Davies gazes upwards in this beauty shot, showing off her perfect face behind marcel waves, and dressed in the height of late flapper fashion in a lace and velvet gown. Inkstamped on verso for Bull and Davies / MGM as seen, blindstamped Bull lower right.Measures 10" x 13"
This photograph is just an incredible document, a Hollywood treasure that sells . We have come into an extraordinary collection of antique Hollywood photographs and memorabilia and are happy to combine multiple wins at no additional cost. 100% guaranteed original and vintage.
CONDITION: This 1st generation beautiful art deco photograph is in very fine condition with a little corner and margin wear.
American actress Marion Davies became a Broadway chorus dancer through the auspices of her brother-in-law, the powerful theatrical producer George W. Lederer. There are many stories of how Davies came to the attention of newspaper tycoon William Randolph Hearst, the most popular of which relates how, when watching her perform as a solo singer-dancer in the 1916 edition of Ziegfeld Follies, Hearst became so enchanted that for eight weeks thereafter he never missed a performance, reserving two seats per show (one seat for his hat). Hearst, who in addition to his publishing empire also dabbled in moviemaking, cast Davies in the 1917 silent film Runaway Romany. For the rest of her career, Davies appeared only in Hearst-produced movies, a professional association which spilled over into her private life; she became Hearst's mistress, and might very well have married him had Mrs. Hearst not refused him a divorce. The Hearst press promoted Davies' film career to the point of the ridiculous, overpraising each movie as though it were the Second Coming; in retaliation, rival newspapers mercilessly panned Davies, suggesting that she'd still be a chorus girl without Hearst's sponsorship. The truth lay somewhere in between--when viewing such Davies films as Show People (1928), Blondie of the Follies (1932) and Cain and Mabel (1936), one is struck by her deft comic skills and superior musical talent; at the same time, she was not the actress promoted by the Hearst publicity machine. Davies retired from the screen after Ever Since Eve (1937), settling down as the popular hostess of San Simeon, Hearst's gigantic estate on the California coast. After Hearst died in 1951, Davies married Capt. Horace G. Brown of the California State Guard and divided her time between managing her considerable financial holdings and maintaining the Marion Davies Childrens' Clinic, a charitable organization. Davies was much loved by her friends and by Hollywood in general; alas, most people today "know" Davies only through the vulgar, abrasive character of "Susan Alexander" in filmmaker Orson Welles' thinly disguised chronicle of William Randolph Hearst's life, Citizen Kane (1941).
inkFrog AnalyticsOn Jun-24-13 at 21:28:42 PDT, seller added the following information: