Vienna Bronze Camel Rider Arab Man By Bergman Bronze Sculpture Statue Figurine For Sale
Condition: This sculpture is in perfect condition.
Bronze Dimensions with Marble Base:Height 7" x Width 5"
Marble Dimensions: 5" X 3"
Height without base: 4"
Weight : 6 LBS
Inventory : 68XNCH5822686
After years of traveling the desert with his faithful camel the two of them
are inseparable. The camel does not mind one bit that his owner is perched on
top of him as he takes a rest. The camel is saddled up and has an intricate
blanket draped over the top of him. His owner sits on top of him and crosses his
legs which he rests one of his arms on. He takes off one of his sleeves and lets
his body get some fresh air. This bronze sculpture has a lot of miniscule
details, so every time you look at the sculpture you will find something new.
This bronze sculpture was cast using the “Lost Wax Method” and has a brown
patina. It is mounted on a marble base and is handmade and is signed
Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC.
This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.
These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting.
Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture.
This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.
The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible.
These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations.
After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form.
The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved.
As the sculpture cools the ceramic shell begins to pop away from the bronze.
This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away.
Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "chased".
The sculpture is then polished in preparation for application of the patina.
The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes.
This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production.
If that rare occasion arises where you feel you must return an item, please contact us by calling 516-280-8072 for return instructions within Fifteen (15) days (by phone or email) of receipt of your item(s). Upon our receipt and inspection of the returned item(s), we will issue a refund for your item(s) if returned in the same condition as sent to you, excluding any shipping/insurance costs for which you were responsible. Buyer is responsible for return shipping/insurance costs, which will not be reimbursed for any reason. Returned merchandise must be received by us within seven (7) days of the date from which you contact us regarding the return.
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