SOAS Studies in Music Ser.: Dāphā: Sacred Singing in a South Asian City : Music, Performance and Meaning in Bhaktapur, Nepal by Richard Widdess (2013, Hardcover)
D�ph�, or d�ph� bhajan, is a genre of Hindu-Buddhist devotional singing, performed by male, non-professional musicians of the farmer and other castes belonging to the Newar ethnic group, in the towns and villages of the Kathmandu Valley, Nepal. The songs, their texts, and their characteristic responsorial performance-style represent an extension of pan-South Asian traditions of r�ga- and t�la-based devotional song, but at the same time embody distinctive characteristics of Newar culture. This culture is of unique importance as an urban South Asian society in which many traditional models survive into the modern age. There are few book-length studies of non-classical vocal music in South Asia, and none of d�ph�. Richard Widdess describes the music and musical practices of d�ph�, accounts for their historical origins and later transformations, investigates links with other South Asian traditions, and describes a cultural world in which music is an integral part of everyday social and religious life. The book focusses particularly on the musical system and structures of d�ph�, but aims to integrate their analysis with that of the cultural and historical context of the music, in order to address the question of what music means in a traditional South Asian society.
Product Identifiers
Publisher
Routledge
ISBN-10
1409466019
ISBN-13
9781409466017
eBay Product ID (ePID)
170119426
Product Key Features
Author
Richard Widdess
Publication Name
Dāphā: Sacred Singing in a South Asian City : Music, Performance and Meaning in Bhaktapur, Nepal
Format
Hardcover
Language
English
Publication Year
2013
Series
Soas Studies in Music Ser.
Type
Textbook
Number of Pages
364 Pages
Dimensions
Item Length
9.5in
Item Height
1.2in
Item Width
6.4in
Item Weight
29.7 Oz
Additional Product Features
Lc Classification Number
Ml3758.N358b53 2013
Table of Content
Contents: Preface; Introduction; Dapha from past to present; Temporal order: time, music and rhythm; The singing community: dapha and the social order; Melody and raga; Encounter with the divine: dapha and the sacred order; Songs and meanings; Conclusion: music and meaning; Bibliography; Index.
Copyright Date
2013
Target Audience
College Audience
Topic
History & Criticism, Genres & Styles / International