1972 Photo of Chuck Berry - Signed by Chuck Berry *VINTAGE*
1972 Photo of Chuck Berry - Signed by Chuck Berry *VINTAGE*:
A framed picture of the father of Rock & Roll - Chuck Berry, performing at the Beat Club in Bremen, Germany in 1972, ALONG with his signature. Biography Born on October 18, 1926, in St. Louis, Missouri, Chuck Berry had early exposure to music at school and church. As a teen, he was sent to prison for three years for armed robbery. He began producing hits in the 1950s, including 1958's "Johnny B. Goode," and had his first No. 1 hit in 1972 with "My Ding-a-Ling." With his clever lyrics and distinctive sounds, Berry became one of the most influential figures in the history of rock music. Berry died on March 18, 2017 at the age of 90. In the mid-1950s, Berry began taking road trips to Chicago, the Midwest capital of black music, in search of a record contract. Early in 1955, he met the legendary blues musician Muddy Waters, who suggested that Berry go meet with Chess Records. A few weeks later, Berry wrote and recorded a song called "Maybellene" and took it to the executives at Chess. They immediately offered him a contract; within months, "Maybellene" had reached No. 1 on the R&B charts and No. 5 on the pop charts. With its unique blend of a rhythm and blues beat, country guitar licks and the flavor of Chicago blues and narrative storytelling, many music historians consider "Maybellene" the first true rock 'n' roll song.Berry quickly followed with a slew of other unique singles that continued to carve out the new genre of rock 'n' roll: "Roll Over, Beethoven," "Too Much Monkey Business" and "Brown-Eyed Handsome Man," among others. Berry managed to achieve crossover appeal with white youths without alienating his black fans by mixing blues and R&B sounds with storytelling that spoke to the universal themes of youth. In the late 1950s, songs such as "Johnny B. Goode," "Sweet Little Sixteen" and "Carol" all managed to crack the Top 10 of the pop charts by achieving equal popularity with youths on both sides of the racial divide. "I made records for people who would buy them," Berry said. "No color, no ethnic, no political—I don't want that, never did.''Berry's soaring music career was derailed again in 1961 when he was convicted under the Mann Act of illegally transporting a woman across state lines for "immoral purposes." Three years earlier, in 1958, Berry had opened Club Bandstand in the predominantly white business district of downtown St. Louis. The next year, while traveling in Mexico, he had met a 14-year-old waitress—and sometimes prostitute—and brought her back to St. Louis to work at his club. However, he fired her only weeks later, and when she was then arrested for prostitution, charges were pressed against Berry that ended with him spending yet another 20 months in jail.When Berry was released from prison in 1963, he picked up right where he left off, writing and recording popular and innovative songs. His 1960s hits include "Nadine," "You Can Never Tell," Promised Land" and "Dear Dad." Nevertheless, Berry was never the same man after his second stint in prison. Carl Perkins, his friend and partner on a 1964 British concert tour, observed, "Never saw a man so changed. He had been an easygoing guy before, the kinda guy who'd jam in dressing rooms, sit and swap licks and jokes. In England he was cold, real distant and bitter. It wasn't just jail, it was those years of one-nighters, grinding it out like that can kill a man, but I figure it was mostly jail."Berry released one of his last albums of original music, Rock It, to fairly positive reviews in 1979. While Berry continued to perform into the 1990s, he would never recapture the magnetic energy and originality that had first catapulted him to fame during the '50s and '60s.