1940s ISRAEL Palestine BEZALEL NOTEBOOK Copper Plaque WAILING WESTERN WALL

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1940s ISRAEL Palestine BEZALEL NOTEBOOK Copper Plaque WAILING WESTERN WALL:
$75.00

DESCRIPTION :Here for sale is an original vintage very cute Eretz Israel ( Palestine ) BEZALEL type MEMORABILIA with a copper plaque of the WESTERN WALL ( Also the WAILING WALL or KOTEL ) in the old holy city of JERUSALEM . It\'s a small notebook , Bezalel type binding , Embossed pattern on leather immitation , With a copper - brass relief-plaque of the WESTERN WALL with the Hebrew gilt writing \" KOTEL MA\'ARAVI\" . The note book carries the embossed gilt mark \"MEDINAT ISRAEL\" ( The STATE of ISRAEL ) , A typical usage to the very early years of the Independent State of Israel , Namely the late 1940\'s and the very early 1950\'s. Around 2.5 x 4\". Very good condition. Unused. Still holds the original empty paper notebook . A pencil holder is also present but no pencil. ( Pls look at scan foraccurate AS IS images ).Will be sent inside a protective envelope .AUTHENTICITY : Thisis anORIGINALvintage ca late 1940\'s up to very early 1950\'s note-book , NOT a reproduction or a reprint , Itholds alife long GUARANTEE for its AUTHENTICITY and ORIGINALITY.PAYMENTS : Payment method accepted : Paypal .SHIPPMENT : SHIPP worldwide via registered airmail $ 14 .Will be sent inside a protective envelope . Will be sent within3-5 days after payment . Kindly note that duration of Int\'l registered airmail is around 14 Western Wall, Wailing Wall or Kotel (Hebrew: הַכֹּתֶל הַמַּעֲרָבִי HaKotel HaMa\'aravi; Ashkenazic pronunciation: Kosel; Arabic: حائط البراق‎, Ḥā\'iṭ Al-Burāq, The Buraq Wall) is located in the Old City of Jerusalem at the foot of the western side of the Temple Mount. It is a remnant of the ancient wall that surrounded the Jewish Temple\'s courtyard, and is arguably the most sacred site recognized by the Jewish faith outside of the Temple Mount itself. Just over half the wall, including its 17 courses located below street level, dates from the end of the Second Temple period, commonly believed to have been constructed around 19 BCE by Herod the Great, but recent excavations indicate that the works were not finished during Herod\'s lifetime. The remaining layers were added from the 7th century onwards. The Western Wall refers not only to the exposed section facing a large plaza in the Jewish Quarter, but also to the sections concealed behind structures running along the whole length of the Temple Mount, such as the Little Western Wall–a 25 ft (8 m) section in the Muslim Quarter. It has been a site for Jewish prayer and pilgrimage for centuries; the earliest source mentioning Jewish attachment to the site dates back to the 4th century. From the mid-19th century onwards, attempts to purchase rights to the wall and its immediate area were made by various Jews, but none was successful. With the rise of the Zionist movement in the early 20th century, the wall became a source of friction between the Jewish community and the Muslim religious leadership, who were worried that the wall was being used to further Jewish nationalistic claims to the Temple Mount and Jerusalem. Outbreaks of violence at the foot of the wall became commonplace and an international commission was convened in 1930 to determine the rights and claims of Muslims and Jews in connection with the wall. After the 1948 Arab-Israeli War the wall came under Jordanian control and Jews were barred from the site for 19 years until Israel captured the Old City in 1967 and three days later bulldozed the 800 year old Moroccan Quarter for easier access to the wall. The term Bezalel school describes a group of artists who worked in Israel in the late Ottoman and British Mandate periods. It is named after the institution where they were employed, the Bezalel Academy, predecessor of today’s Bezalel Academy of Art and Design, and has been described as \"a fusion of ‘oriental\' art and Jugendstil.\" The Academy was led by Boris Schatz, who left his position as head of the Royal Academy of Arts in Sofia, Bulgaria, to make aliyah 1906 and set up an academy for Jewish arts. All of the members of the school were Zionist immigrants from Europe and the Middle East, with all the psychological and social upheaval that this implies. The school developed a distinctive style, in which artists portrayed both Biblical and Zionist subjects in a style influenced by the European jugendstil ( or art nouveau) movement, by symbolism, and by traditional Persian and Syrian artistry. Like the British Arts and Crafts Movement, Wiener Werkstätte in Vienna, William Morris firm in England, and Tiffany Studios in New York, the Bezalel School produced decorative art objects in a wide range of media: silver, leather, wood, brass and fabric. While the artists and designers were European-trained, the craftsmen who executed the works were often members of the Yemenite community, which has a long tradition of craftsanship in precious metals, and began to make aliyah about 1880. Yemenite immigrants with their colorful traditional costumes were also frequent subjects of Bezalel School artists.Leading members of the school were Boris Schatz, E.M. Lilien,Ya\'akov Stark, Meir Gur Arie, Ze\'ev Raban, Jacob Eisenberg, Jacob Steinhardt, and Hermann Struck.The artists produced not only paintings and etchings, but objects that might be sold as Judiaca or souvenirs. In 1915, the New York Times praised the “Exquisite examples of filigree work, copper inlay, carving in ivory and in wood,” in a touring exhibit. In the metalwork Moorish patterns predominated, and the damascene work, in particular, showed both artistic feeling and skill in execution . Bezalel Academy of Art and Design is Israel\'s national school of art. It is named after the Biblical figure Bezalel, son of Uri (Hebrew: ), who was appointed by Moses to oversee the design and construction of the Tabernacle (Exodus 35:30).It is located on Mount Scopus in Jerusalem and has 1,500 students registered in programs such as: Fine Arts, Architecture, Ceramic Design, Industrial Design, Jewelry, Photography, Visual Communication, Animation, Film, and Art History & Theory. Bezalel offers Bachelor of Fine Arts (B.F.A.), Bachelor of Architecture (B.Arch.), Bachelor of Design (B.Des.) degrees, a Master of Fine Arts in conjunction with Hebrew University, and two different Master of design (M.des) degree. The academy was founded in 1903 by Boris Schatz, and opened in 1906, but was cut off from its supporters in Europe by World War I, and closed due to financial difficulties in 1929. The academy was named \"Bezalel\" (Hebrew: \"in God\'s shadow\") as an illustration of God\'s creativity being channeled to a man of flesh and blood, providing the source of inspiration to Bezalel ben Uri in the construction of the holy ark.Many early Zionists, including Theodor Herzl, felt that Israel needed to have a national style of art combining Jewish, Middle Eastern, and European traditions. The teachers at the academy developed a distinctive school (or style) of art, known as the Bezalel school, in which artists portrayed both Biblical and Zionist subjects in a style influenced by the European jugendstil (art nouveau) and by traditional Persian and Syrian styles.Like the Wiener Werkstätte in Vienna, William Morris firm in England, and Tiffany Studios in New York, the Bezalel School produced decorative art objects in a wide range of media: silver, leather, wood, brass and fabric. While the artists and designers were European-trained, the craftsmen who executed the works were often members of the Yemenite community, which has a long tradition of craftsanship in precious metals, and whose members had been making aliyah in small groups at least form the beginning of the nineteenth century, forming a distinctive Yeminite community in Jerusalem. Silver and goldsmithing, occupations forofferden to pious Muslims, had been traditional Jewish occupations in Yemen. Yemenite immigrants with their colorful traditional costumes were also frequent subjects of Bezalel school artists.Leading artists of the school include Meir Gur Aryeh, Ze\'ev Raban, Boris Schatz, Jacob Eisenberg, Jacob Steinhardt, and Hermann Struck. The School folded because of economic difficulties. It was reopened as the New Bezalel School for Arts and Crafts in 1935, attracting many of its teachers and students from Germany many of them from the Bauhaus school which had been shut down by the Nazis. In 1969 it was converted into a state-supported institution and took its current name. It completed its relocation to the current campus in 1990.