1920s AUTOGRAPHED Photo MARION DAVIES Silent Film Star WR Hearst Castle Mistress

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1920s AUTOGRAPHED Photo MARION DAVIES Silent Film Star WR Hearst Castle Mistress:
$89.99

I AM LISTING MANY INTERESTING AND UNIQUE ANTIQUES THIS WEEK SO PLEASE CHECK MY OTHER sales!!!! This listing is for an original 1920s era signed autographed photo of Marion Davies. I looked at it under strong magnification and it is an authentic signature, not something printed. No photographer noted. Measures 8\" X 10\". See pictures for condition specifics.I TOOK LOTS OF PHOTOGRAPHS, BE SURE TO SCROLL ALL THE WAY DOWN TO THE END OF THE sale TO SEE THEM ALL!!!!

I WILL BE LISTING OTHER INTERESTING ANTIQUES THIS WEEK SO PLEASE CHECK MY OTHER sales!!!

Please look at the photos to get an idea of what this is. Photos accurately reflect the condition on this item. I am not an expert, so please feel free to ask any questions, and I will answer them the best way I can. I may not be able to answer your questions immediately, but every question will be answered. Please try to ask questions before the last day of the sale because I am not always around to answer them then. International buyers: I will only ship vis USPS priority mail due to too many mishaps. I will also not falsify any customs documents so please do not ask. Realistic reserve set just to protect my investment, if there is a reserve at all. I am not interested in selling off of so please do not ask, HOWEVER I collect early photographs and relics and would entertain trade offers, please check out my ME page for more info. If reserve is not met high buyer will get first chance at buying item. Payment must be recieved within five days of close of sale. California residents must add 8.75% sales tax to their purchase unless they hold a valid California resale permit. If you have a permit please include it when sending your payment so that I can have it on file. Insurance will be added to purchase price at end of sale based on sale price. All items sold as-is unless I misrepresent something. Good luck and thanks for looking!!!

On Mar-02-18 at 13:13:37 PST, seller added the following information:

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Marion Cecilia Davies(née Douras, January 3, 1897 § September 22, 1961) was an American film actress, producer, screenwriter, and philanthropist.Davies had appeared in several Broadway musicals and one film,Runaway Romany(1917) before newspaper tycoonWilliam Randolph Hearst, with whom she had begun a romantic relationship, took over management of her career. Hearst financed Davies\' pictures and promoted her heavily through his newspapers and Hearst Newsreels. He founded Cosmopolitan Pictures to produce her films. Hearst preferred to see her in historical dramas, but her real talent was in comedy. For this reason, Davies is often remembered today as Hearst\'smistressand the hostess of many lavish events for theHollywoodelite. In particular, her name is linked with the 1924 scandal aboard Hearst\'s yacht when one of his guests, film producerThomas Ince, died.In the filmCitizen Kane(1941), the title character\'s second wife§an untalented singer whom he tries to promote§was widely assumed to be based on Davies. But many commentators, includingCitizen Kanewriter/directorOrson Welleshimself, have defended Davies\' record as a gifted actress, to whom Hearst\'s patronage did more harm than good. She retired from the screen in 1937, choosing to devote herself to Hearst and charitable work.In Hearst\'s declining years, Davies provided financial as well as emotional support until his death in 1951. She married for the first time eleven weeks after his death, a marriage which lasted until Davies died ofstomach cancerin 1961 at the age of 64. Davies was bornMarion Cecilia Elizabeth Brooklyn Douras[1]on January 3, 1897, inBrooklyn, the youngest of five children born to Bernard J. Douras (1857§1935), a lawyer and judge in New York City; and Rose Reilly (1867§1928).[2]Her father performed the civil marriage ofGloria Gould Bishop.[3]She had three older sisters, Ethel,Rose, andReine.[4]An older brother, Charles, drowned at the age of 15 in 1906. His name was subsequently given to Davies\' favorite nephew, screenwriterCharles Lederer, the son of Davies\' sister Reine Davies.[5]The Douras family lived nearProspect Parkin Brooklyn. The sisters changed their surname to Davies, which one of them spotted on a real-estate agent\'s sign in the neighborhood. Even at a time when New York was themelting potfor new immigrants, having a British surname greatly helped one\'s prospects§the name Davies has Welsh origins.Educated in a New York convent, Davies left school to pursue a career. She worked as a chorus girl in Broadway revues and modeled for illustratorsHarrison FisherandHoward Chandler Christy. In 1916, Davies was signed on as aZiegfeld girlin theZiegfeld Follies.After making her screen debut in 1916, modelling gowns byLady Duff-Gordonin a fashion newsreel, she appeared in her first feature film in the 1917Runaway Romany.[7]Davies wrote the film, which was directed by her brother-in-law, prominent Broadway producer George W. Lederer. The following year she starred in two films§The Burden of ProofandCecilia of the Pink Roses. Playing mainly light comic roles, she quickly became a film personality appearing with major male stars, making a small fortune, which enabled her to provide financial assistance for her family and friends.In 1918, Hearst started the movie studioCosmopolitan Productionsto promote Davies\' career and also moved her with her mother and sisters into an elegant Manhattan townhouse at the corner ofRiverside Driveand W. 105th Street.[8][9]Cecilia of the Pink Rosesin 1918 was her first film backed by Hearst. She was on her way to being the most infamously advertised actress in the world. During the next ten years she appeared in 29 films, an average of almost three films a year.[10]One of her best known roles was asMary TudorinWhen Knighthood Was in Flower(1922), directed byRobert G. Vignola, with whom she collaborated on several films. By the mid-1920s, however, Davies\' career was often overshadowed by her relationship withWilliam Randolph Hearstand their social life atSan Simeonand Ocean House inSanta Monica;[11]the latter dubbed byColleen Moore\"the biggest house on the beach § the beach betweenSan DiegoandVancouver\".According to her own audio diaries, she met Hearst long before she had started working in films.[12]Hearst later formedCosmopolitan Pictures, which would produce most of her starring vehicles. Hearst\'s relentless efforts to promote her career had a detrimental effect, but he persisted, making Cosmopolitan\'s distribution deals first withParamount, thenGoldwyn, and withMetro-Goldwyn-Mayer. Davies herself was more inclined to develop her comic talents alongside her friends atUnited Artists, but Hearst pointedly discouraged this. Davies, in her published memoirsThe Times We Had, concluded that Hearst\'s over-the-top promotion of her career, in fact, had a negative result. One particular example, he had purchased the Cameo Theatre (located in San Francisco) in 1929. He then lavishly remodeled both the exterior and interior decor in a rosebud-hued Art Moderne motif, and renamed it The Marion Davies Theatre. From Hearst\'s office windows further up Market Street, he could see pink neon letters constantly spelling out her name above the marquee.[13]Hearst Metrotone Newsreels were included on the program, and these newsreels regularly touted Miss Davies\' social activities.The 1922-23 period may have been her most successful, with bothWhen Knighthood Was in FlowerandLittle Old New Yorkranking among the top 3 box-office hits of those years. Indeed, she was named the #1 female box-office star by theater owners and crowned as \"Queen of the Screen\" at their 1924 convention in Hollywood. Other hit silent films includedBeverly of Graustark,The Cardboard Lover,Enchantment,The Bride\'s Play,Lights of Old Broadway,Zander the Great,The Red Mill,Yolanda,Beauty\'s Worth, andThe Restless Sex.Hearst loved seeing her in expensive costume pictures, but she also appeared in contemporary comedies likeTillie the Toiler,The Fair Co-Ed(both 1927), and especially three directed byKing Vidor,Not So Dumb(1930),The Patsyand the backstage-in-Hollywood sagaShow People(both 1928).The Patsycontains her imitations, which she usually did for friends, of silent starsLillian Gish,Mae MurrayandPola Negri. King Vidor saw Davies as a comedic actress instead of the dramatic actress that Hearst wanted her to be. He noticed she was the life of parties and incorporated that into his films.After seeing photographs ofSt Donat\'s CastleinCountry Lifemagazine, the WelshVale of Glamorganproperty was bought and revitalized by Hearst in 1925 as a gift to Davies.[14]Hearst and Davies spent much of their time entertaining, holding lavish parties with guests at their Beverly Hills estate. Frequent guests included, among others,Charlie Chaplin,Douglas Fairbanks, and a youngJohn F. Kennedy. Upon visiting St Donat\'s,George Bernard Shawwas quoted as saying: \"This is what God would have built if he had had the money.\" The coming ofsoundmade Davies nervous because she had never completely overcome a childhoodstutter.[10]Her career continued, however, and she made several comedies and musicals during the 1930s, includingMarianne(1929),Not So Dumb(1930),The Florodora Girl(1930),The Bachelor Father(1931),Five and Ten(1931) withLeslie Howard,Polly of the Circus(1932) withClark Gable,Blondie of the Follies(1932),Peg o\' My Heart(1933),Going Hollywood(1933) withBing Crosby, andOperator 13(1934) withGary Cooper. She was involved with many aspects of her films and was considered an astute businesswoman. Her career, however, was hampered by Hearst\'s insistence that she play distinguished, dramatic parts as opposed to the comic roles that were her forte.Hearst reportedly had tried to push MGM production bossIrving Thalbergto cast Davies in the title role inMarie Antoinette, but Thalberg gave the part to his wife,Norma Shearer. This rejection came on the heels of Davies having been also denied the female lead inThe Barretts of Wimpole Street; that role going to Shearer as well. Despite Davies\' friendship with the Thalbergs, Hearst reacted by pulling his newspaper support for MGM and moving Davies and Cosmopolitan Pictures distribution toWarner Brothers. Davies\' films there werePage Miss Glory(1935),Hearts Divided,Cain and Mabel(both 1936), andEver Since Eve(1937). Mirroring events at MGM, Warners purchased the rights to the play \"Tovarich\" for Davies, but the film versionTovarichwas given toClaudette Colbert. Hearst shopped Davies and Cosmopolitan for another year, but no deals were made and Davies officially retired. In 1943, Davies was offered the role of Mrs. Brown inClaudia, but Hearst persuaded her from taking a supporting role and tarnishing her starring career. In her 45 feature films, over a 20-year period, Davies had never been anything but the star and always got first billing. The only exceptions were films in which she appeared as herself.When Cosmopolitan folded, Davies left the film business and retreated to San Simeon. Davies would later state in her autobiography that after many years of work she had had enough and decided to devote herself to being Hearst\'s \"companion and confidante\". In truth, she was intensely ambitious, but faced the harsh reality that at the age of forty, she could no longer play the young heroines or madcaps as in earlier films, and that she was unwilling to play supporting roles. Decades after Davies\' retirement and death, however, the consensus among some critics is more appreciative of her efforts, particularly in the field of comedy.Critical Reassessment[edit]Largely because of the damage to her reputation caused byCitizen Kane, Davies has been largely ignored by film critics and historians. But a recent reassessment of her work has come about via broadcast of her films on Turner Classic Movies and the release on DVD on her silent films likeWhen Knighthood Was in Flower,Beauty\'s Worth,The Bride\'s Play,Enchantment,The Restless Sex,April Folly, andBuried Treasure. This new availability, along with the publication ofThe Silent Films of Marion DaviesbyEdward Lorussohave allowed for a better assessment of Davies\' work as an actress. Despite the legend, most of Davies\'s films made money and she remained a popular star for most of her career. Indeed, Davies was the #1 female box office star of 1922-23 thanks to the enormous popularity ofWhen Knighthood Was in FlowerandLittle Old New York, which both ranked among the biggest box-office films of 1922 and 1923, respectively.Later years[edit]In her later years, Davies was involved with charity work. In 1952, she donated $1.9 million to establish a children\'s clinic atUCLAwhich was named for her[15]; the clinic\'s name was changed to The Mattel Children\'s Hospital in 1998. She also fought childhood diseases through the Marion Davies Foundation.[10]She suffered a minor stroke in 1956, and later underwent surgery on her jawbone forosteomyelitis. Twelve days after the operation, Davies fell in her hospital room and broke her leg.[16]Davies made her last public appearance on January 10, 1960, on anNBCtelevision special calledHedda Hopper\'s Hollywood.Joseph P. Kennedyrented Davies\' mansion and worked from behind the scenes to secure his sonJohn F. Kennedy\'s nomination during the1960 Democratic National Conventionin Los Angeles. It was not long after that she was diagnosed with stomach cancer.Personal life[edit]Relationship with William Randolph Hearst[edit]Publishing mogul William Randolph Hearst and Davies lived as a couple for decades but were never married, as Hearst\'s wife refused to give him a divorce. At one point, he reportedly came close to marrying Davies, but decided his wife\'ssettlementdemands were too high. Hearst was extremely jealous and possessive of her, even though he was married throughout their relationship.Lita Grey, the second wife ofCharlie Chaplin, wrote four decades later that Davies confided with her about the relationship with Hearst. Grey quoted Davies saying:God, I\'d give everything I have to marry that silly old man. Not for the money and security§he\'s given me more than I\'ll ever need. Not because he\'s such cozy company, either. Most times, when he starts jawing, he bores me stiff. And certainly not because he\'s so wonderful behind the barn. Why, I could find a million better lays any Wednesday. No, you know what he gives me, sugar? He gives me the feeling I\'m worth something to him. A whole lot of what we have, or don\'t have, I don\'t like. He\'s got a wife who\'ll never give him a divorce. She knows about me, but it\'s still understood that when she decides to go to the ranch for a week or a weekend, I\'ve got to vamoose. And he snores, and he can be petty, and has sons about as old as me. But he\'s kind and he\'s good to me, and I\'d never walk out on him.[17]By the late 1930s, Hearst was suffering financial reversals.[18]After sellingSt Donat\'s Castle, Davies bailed him out by writing out a check for $1 million.[19]Hearst died on August 14, 1951.[20]TheCalifornia State Parksstaff at Hearst Castle report at the time of Hearst\'s death, 51% of his fortune had been bequeathed to Davies.Patricia Lake[edit]Since the early 1920s, there has been speculation that Davies and Hearst had a child together some time between 1920 and 1923. The child was rumored to bePatricia Lake(née Van Cleve), who was publicly identified as Davies\' niece.[21]On October 3, 1993, Lake died of complications from lung cancer inIndian Wells, California.[22]Ten hours before her death, Lake requested that her son publicly announce that she was not Davies\' niece but Davies\' biological daughter, whom she had conceived with Hearst. Lake had never commented on her alleged paternity in public, even after Hearst\'s and Davies\' deaths, but did tell her grown children and friends. Lake\'s claim was published in herdeath notice, which was published in newspapers.[21]Lake told her friends and family that Davies became pregnant by Hearst in the early 1920s. As the child was conceived during Hearst\'s extra-marital affair with Davies andout of wedlock, Hearst sent Davies to Europe to have the child in secret to avoid a public scandal. Hearst later joined Davies in Europe. Lake claimed she was born in aCatholichospital outside of Paris between 1920 and 1923 (she was unsure of the precise date). Lake was then given to Davies\' sister Rose, whose own child had died in infancy, and passed off as Rose and her husband George Van Cleve\'s daughter. Lake stated that Hearst paid for her schooling and both Davies and Hearst spent considerable time with her. Davies reportedly told Lake of her true parentage when she was 11 years old. Lake said Hearst confirmed that he was her father on her wedding day at age 17 where both Davies and Hearst gave her away.[21][23]Neither Davies nor Hearst ever publicly addressed the rumors during their lives. Upon news of the story, a spokesman forHearst Castleonly commented that, \"It\'s a very old rumor and a rumor is all it ever was.\"[24]Ince scandal[edit]In November 1924, Davies was among those aboard Hearst\'s luxury yachtOneidafor a weekend party that resulted in the death of film producerThomas Ince. Rumors have endured since then that Davies had an alleged relationship with Chaplin, which led to Ince\'s accidental shooting by a jealous Hearst. Chaplin (among other actresses and actors) and Davies were aboard the yacht the night Ince died. There has never been any evidence to support the rumors.Ince\'s autopsy showed that he suffered an attack of acute indigestion while aboard the yacht and was escorted off in San Diego by another of the guests, Dr. Daniel Carson Goodman, a Hollywood writer and producer. Ince was put on a train bound for Los Angeles, but was removed from the train at Del Mar when his condition worsened. He was given medical attention by Dr. T. A. Parker and a nurse, Jesse Howard. Ince told them that he had drunk liquor aboard Hearst\'s yacht. He was taken to his Hollywood home where he died the following day of a heart condition.[25]Marriage[edit]Eleven weeks and one day after Hearst\'s death, Davies married Horace Brown on October 31, 1951, inLas Vegas.[26]It was not a happy marriage. Davies filed for divorce twice, but neither was finalized, despite Brown admitting he treated her badly: \"I\'m a beast,\" he said. \"I took him back. I don\'t know why,\" she explained. \"I guess because he\'s standing right beside me, crying. Thank God we all have a sense of humor.\" Davies died ofstomach canceron September 22, 1961, in her home inHollywood, California.[29]Her funeral at Immaculate Heart of Mary Church in Hollywood was attended by 200 people and many Hollywood celebrities, includingMary Pickford,Charles \"Buddy\" Rogers, Mrs.Clark Gable(Kay Spreckels), andJohnny Weissmuller. She is buried in theHollywood Forever Cemetery.[30][31]Davies left an estate estimated at $20 million.[32]Cultural references[edit]The rumors of the Thomas Ince scandal were dramatized in the playThe Cat\'s Meow, which was later made intoPeter Bogdanovich\'s 2001 filmThe Cat\'s MeowstarringEdward Herrmannas Hearst,Kirsten Dunstas Davies,Eddie Izzardas Chaplin,Joanna LumleyasElinor Glyn,Jennifer Tillyas gossip columnistLouella Parsons, andCary Elwesas Ince.Al Stewartincluded the song \"Marion the Chatelaine\" about Davies on his albumBetween the Wars (Al Stewart album).Patty Hearstco-authored a novel with Cordelia Frances offerdle titledMurder at San Simeon(Scribner, 1996), based upon the death of Ince.The 1999 filmRKO 281, a dramatization of the events during and after production ofOrson Welles\'Citizen Kane, depicts Welles being told by screenwriterHerman Mankiewiczthat Hearst shot Ince, and refers to this several times as an analogy for Hearst\'s efforts to bury the film.A documentary filmCaptured on Film: The True Story of Marion Davies(2001) premiered onTurner Classic Movies.[33]In 2004, the story of William Randolph Hearst and Davies was made into a musical titledWR and Daisywith book and lyrics by Robert and Phyllis White; music by Glenn Paxton. It was performed in 2004 by Theater West. It was also performed in 2009 and 2010 at the Annenberg Beach House in Santa Monica, California, the estate built by Hearst for Davies in the 1920s.Alan MooreandKevin O\'Neillallude to Davies in theirLeague of Extraordinary Gentleman-relatedNemoseries.The bookThe Silent Films of Marion DaviesbyEdward Lorussowas published in 2017.Kickstarter campaigns have secured DVD releases ofWhen Knighthood Was in Flower,Beauty\'s Worth,The Bride\'s Play,Enchantment,The Restless Sex,April Folly, andBuried Treasureall with new music scores.Portrayals of Davies[edit]Davies was commonly assumed to be the inspiration for theSusan Alexandercharacter portrayed inOrson Welles\'sCitizen Kane(1941), which was based loosely on Hearst\'s life.[34]This led to various portrayals of Davies as a talentless opportunist. In his foreword to Davies\' autobiography,The Times We Had(published posthumously in 1975), Welles wrote that his fictional creation bears no resemblance to Davies:That Susan was Kane\'s wife and Marion was Hearst\'s mistress is a difference more important than might be guessed in today\'s changed climate of opinion. The wife was a puppet and a prisoner; the mistress was never less than a princess. Hearst built more than one castle, and Marion was the hostess in all of them: they were pleasure domes indeed, and the Beautiful People of the day fought for invitations. Xanadu was a lonely fortress, and Susan was quite right to escape from it. The mistress was never one of Hearst\'s possessions: he was always her suitor, and she was the precious treasure of his heart for more than 30 years, until his last breath of life. Theirs is truly a love story. Love is not the subject ofCitizen Kane.[35]Welles told filmmakerPeter BogdanovichthatSamuel Insull\'s building of theChicago Opera House, and business tycoonHarold Fowler McCormick\'s lavish promotion of the opera career of hissecond wife, were direct influences on thescreenplay forCitizen Kane. \"As for Marion,\" Welles said, \"she was an extraordinary woman§nothing like the characterDorothy Comingoreplayed in the movie.\"[36]Davies was portrayed byVirginia Madsenin thetelefilmThe Hearst and Davies Affair(1985) withRobert Mitchumas Hearst. Madsen later became a Davies fan and said that she felt she had inadvertently portrayed her as astereotype, rather than as a real person.Davies was portrayed byHeather McNairinChaplin(1992); byGretchen MolinCradle Will Rock(1999); and byKirsten DunstinThe Cat\'s Meow(2001).Melanie Griffithwas nominated for anEmmy Award for Outstanding Supporting Actress § Miniseries or a Moviefor portraying Davies inRKO 281in 2000.Filmography[edit]Year Title Role Notes1917 Runaway, Romany Romany Writer / lost film1918 Cecilia of the Pink Roses Cecilia Lost film1918 The Burden of Proof Elaine Brooks Lost film1919 The Belle of New York Violet Gray only 2 reels survive1919 Getting Mary Married Mary Bussard DVD / Producer1919 The Dark Star Rue Carew Lost film1919 The Cinema Murder Elizabeth Dalston Lost film1920 April Folly April Poole DVD / missing first reel1920 The Restless Sex Stephanie Cleland DVD1921 Buried Treasure Pauline Vandermuellen / Lucia DVD / missing final reel1921 Enchantment Ethel Hoyt DVD1922 Bride\'s Play Enid of Cashel / Aileen Barrett DVD1922 Beauty\'s Worth Prudence Cole DVD1922 The Young Diana Diana May Lost film1922 When Knighthood Was in Flower Mary Tudor DVD / Blu-ray1922 A Trip to Paramountown Herself Short subject1923 The Pilgrim Member of the Congregation Uncredited1923 Adam and Eva Eva King only 1 reel survives1923 Little Old New York Patricia O\'Day DVD1924 Yolanda Princess Mary / Yolanda print survives in Royal Belgian Film Archive, Brussels1924 Janice Meredith Janice Meredith DVD1925 Zander the Great Mamie Smith DVD1925 Lights of Old Broadway Fely / Anne print survives in Library of Congress1925 Ben-Hur: A Tale of the Christ Crowd Extra in Chariot Race Uncredited1926 Beverly of Graustark Beverly Calhoun / Prince Oscar print survives in Library of Congress1927 The Red Mill Tina DVD /Director:Roscoe \"Fatty\" Arbuckle(as William Goodrich)1927 Tillie the Toiler Tillie Jones print survives in Eastman House Museum1927 The Fair Co-Ed Marion print survives in Library of Congress1927 Quality Street Phoebe Throssel DVD / Producer1928 The Patsy Patricia Harrington DVD / Producer1928 The Cardboard Lover Sally print survives in Library of Congress / Producer1928 Show People Peggy Pepper / Patricia Pepoire / Herself DVD / Producer1928 The Five O\'Clock Girl Patricia Brown Incomplete1928 Rosalie Princess Rosalie Romanikov Incomplete1929 Marianne Marianne Producer (uncredited); silent version co-starringOscar Shaw1929 Marianne Marianne DVD / Producer (uncredited); sound version co-starringLawrence Gray1929 The Hollywood Revue of 1929 Herself DVD1930 Not So Dumb Dulcinea \'Dulcy\' Parker DVD / Producer1930 The Florodora Girl Daisy Dell DVD / Producer1930 Screen Snapshots Series 9, No. 23 Herself Short subject1931 Jackie Cooper\'s Birthday Party Herself Short subject1931 The Bachelor Father Antoinette \'Tony\' Flagg DVD / Producer1931 Its a Wise Child Joyce Stanton print survives in UCLA archive / Producer1931 Five and Ten Jennifer Rarick DVD / Producer1931 The Christmas Party Herself Short subject1932 Polly of the Circus Polly Fisher DVD / Producer1932 Blondie of the Follies Blondie McClune DVD / Producer1933 Peg o\' My Heart Margaret \'Peg\' O\'Connell DVD1933 Going Hollywood Sylvia Bruce DVD1934 Operator 13 Gail Loveless DVD1935 Page Miss Glory Loretta Dalrymple / Miss Dawn Glory DVD / Producer1935 A Dream Comes True Herself Short subject1935 Pirate Party on Catalina Isle Herself Short subject1936 Hearts Divided Elizabeth \"Betsy\" Patterson DVD / Producer1936 Cain and Mabel Mabel O\'Dare DVD1937 Ever Since Eve Miss Marjorie \'Marge\' Winton / Sadie Day DVD