Industrial Lamp Vintage Jumo French Table Floor Decor Jielde Reading

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Industrial Lamp Vintage Jumo French Table Floor Decor Jielde Reading :
$250.00

French Jumo Industrial Lamp , All Adjustable, Shade 71/2\" Wide.Arms Are 9\", 15\" & 3\" Base 8\" X 14\". Comes With a Adapter Plug.On and Off Switch Attached To The Base Uses Abaïonnette B22,Bulb Which Can Be Bought At USA Bulbs ...Beautiful table lamp designed by Charlotte Perriand, manufactured by Jumo in France, circa 1950.

This eye-catching piece is completely made of chrome metal. It has two joints & 3 arms making it possible to adjust the lamp\'s position. It would make a great addition to any modern interior or office space.

In good original condition with minor wear consistent with age and use ( Look at Photos ) , preserving a beautiful patina.

Charlotte Perriand (1903-1999) she was born in Paris in 1903 and attended the École de l\'Union centrale des Arts décoratifs from 1920-1925. Charlotte Perriand designed furniture made of anodized aluminium and chromium-plated steel, showing it at the 1927 \"Salon d\'Automne\" in Paris.
After meeting Le Corbusier, Charlotte Perriand worked with him and Pierre Jeanneret until 1937. The revolutionary tubular steel furnishings and system furniture designed by the three were presented as \"Équipement de l\'habitation\" (home equipment) at the 1929 \"Salon d\'Automne,\" where they were widely acclaimed.
In 1930 the Union Des Artistes Modernes (UAM) was founded in Paris, a group that viewed itself as a countermovement challenging such establishment organizations as the \"Salon d\'Automne\" and also advocated Art Déco and Modernism. From 1931 Charlotte Perriand showed her own work solo there. In 1937 Charlotte Perriand and Pierre Jeanneret collaboratedon designing a mountain chalet of sheet aluminium, which they showed at the \"Exposition Internationale des Arts et Techniques dans la Vie Moderne\" and later they came up with plans for prefab houses made of aluminium.
In 1940 Charlotte Perriand became a design consultant to the Japanese Board of Trade. She lived in Japan until 1946 and from then on Charlotte Perriand\'s designs reveal overtones of the Japanese feeling for form, as shown by the 1953 chair \"Synthèse des Arts.