Rare Very Attractive PONCHO Hand-woven ANDES INDIAN Sheep Wool Bolivia TM10184

When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.

Rare Very Attractive PONCHO Hand-woven ANDES INDIAN Sheep Wool Bolivia TM10184 :
$475.00

A FINE ANTIQUE WOOL NATIVE INDIGENOUS PONCHO
FROM BOLIVIA

Inventory Number: TM10184
Origin: Cayupaya (Kayupaya) Village, Cantón Pukara, Provincia Ayopaya, Department of Cochabamba, Plurinational State of Bolivia.
Basic Description: An authentic indigenous Native American hand-woven warp-faced man\'s poncho.
Native Name: Phista punchu.
Language Group: Quechua and Aymara. The Uruqilla language was spoken historically in the region.
Approximate Age: Mid-20th century.
Materials: The visible warp is woven from hand-spun dyed sheep wool. The hidden weft is woven from hand-spun natural brown llama wool.
Approximate Size: 52 1/2 inches by 50 1/2 inches.
Colors: All of the colors are muted – none are garish.
Condition: Very good, used condition. There are several very small spots with good, old native repair. There are also a few tiny worn spots with broken warps but not broken wefts. The majority of the colors have muted with age. The center seam is original with minor wear. The neck opening is lightly worn with no fraying. The poncho displays absolutely beautifully. Please refer to the photos.

Remarks: This lot consists of an authentic antique and relatively rare Andean Indian poncho dating from the 1930\'s to the 1950\'s. This smaller-size poncho is splendidly decorated with numerous narrow bands in pleasing, muted colors. Ponchos from Cochabamba are typically smaller in size than those from the higher altiplano. There is a light sheen to the wool that is very attractive. The textile was expertly and finely woven. This is one of only a handful of textiles ever collected in remote Cayupaya Village. This is a beautiful example from the region that was reserved for wear during ceremonial events.

The successful buyer RECEIVES FREE* CONTIGUOUS U.S.A. UNINSURED SHIPPING SERVICE. Not responsible for uninsured items.*NOTE: UK and OTHER FOREIGN CLIENTS. notations of \"FREE SHIPPING\" only pertain to the seller\'s noted destinations. In this case \"FREE SHIPPING\" is ONLY TO ANY OF THE LOWER 48, OR CONTIGUOUS UNITED STATES & THE DISTRICT OF COLUMBIA (Washington D.C.). We believe the cost for shipping abroad is extravagant. This is not our fault. All concerned non-U.S.A. buyers should contact us for shipping charges before offerding or buying. In most cases, for items weighing under 1.5 kilograms, we will pay $7 to $10 USD of the shipping costs for you.

FOR ADDITIONAL INFORMATION RELATING TO ANDEAN CULTURE, ARTS AND HISTORY,
THIS NEW ANDES AND AMAZON WEBSITE MAY BE USEFUL.

TO SEE ADDITIONAL HAND-WOVEN ANDEAN PONCHOS FROM OUR COLLECTION,
GO TO AKATAKSA PONCHOS, PUNCHITU AND UNKU

---Andean hand-woven, hand-knitted, hand-crocheted and hand-braided textiles represent superior indigenous Native American art forms.
Maintaining the Andean textile tradition requires international interest and support.---

AKATAKSA SPECIALIZES IN
FINE AND RARE 20TH CENTURY ANDEAN ART

---We are constantly researching Andean material culture as well as identifying objects for dealers, museums and private collectors.---

AKATAKSA TEXTILE “CONDITION” TERMS:

Terms used to describe the physical condition of textiles can be subjective and vary greatly from one observer to another. What some others call “mint” condition, we call “good”; what others call “excellent” condition, we call “fair.” We present as accurate and truthful descriptions of condition as possible. We make a concerted effort to describe all damage and repairs precisely. Following are explanations of the terms we use.

MINT = Like new. Unused -- as if recently removed from the loom. No wear or patina of any kind. These textiles may have “nubs” or even loose, uncut threads from the weaving process.
EXCELLENT = Usually only lightly used, often guarded or stored for many years. There may be extremely light wear, patina and sheen from use. There may also be nearly undetectable light staining or soiling from use. The colors may have muted ever so slightly due to age or exposure, often improving the beauty of a textile.
VERY GOOD = Usually lightly or only periodically used. The surface may be very lightly but evenly worn. There are no tears or distracting holes. There may be minimal surface discoloration. Vintage textiles may have lightly darkened yarn from use and age (staining and soiling). Overall, the textile will be in outstanding condition and at a displayable distance will appear perfect.
GOOD = Usually moderately to well-used. There may be light to medium staining, isolated or throughout. Some parts of the textile may be worn or have very small holes, occasionally exposing hidden thread yarns. Edges may be lightly frayed. Surface discoloration due to age and exposure is common but often improving the appearance of a textile. There may be minor, light or isolated, dye “run.” Damage will not distract significantly from the textile when displayed.
FAIR = Either well-used or moderately abused. Extensive wear is common as is some “bleeding” or dye “run.” In most 20th century cases, the colors have considerably faded. Sections of fringe or tassels may be missing. Textiles may be in otherwise excellent condition but with a single isolated sector of damage, that greatly reduces its aesthetic appeal. Most vintage tribal textiles on the market are in FAIR TO GOOD condition.
POOR = Showing evidence of extreme usage and damage. These textiles do not display well and are primarily useful as study specimens or examples of sometimes very rare textiles.

Pay me securely with any major credit card
through PayPal! Just click the PayPal logo below.

AKATAKSA
is a Southern Aymara way of saying, \"This, our path. \"

AKATAKSA IS THE COPYRIGHTED NAME FOR A BI-LINGUAL MAGAZINE ONCE DISTRIBUTED BY THE EAGLE AND CONDOR ASSOCIATION (AGUILA-CONDOR). ICB (INVESTIGACIONES CULTURALES DE BOLIVIA) CONSISTS OF SELF-FUNDED DEDICATED PROFESSIONALS, STUDENTS AND NATIVE AMERICAN FIELD INVESTIGATORS WORKING TO DOCUMENT RAPIDLY-DISAPPEARING CULTURAL TRADITIONS IN THE MYSTICAL ANDES AND ALERT THE WORLD TO THE SPLENDOR OF ANDEAN ARTS. ALL SALES ARE USED TO MAINTAIN THOSE INVESTIGATIONS.

THANK YOU FOR YOUR INTEREST AND SUPPORT