SCOTT Dynaural Noise Suppressor 114-A technically fully restored , very rare

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SCOTT Dynaural Noise Suppressor 114-A technically fully restored , very rare:
$280.00

rarely get this great scott 114 a . my tech have restored it completly , new capacitors etc , tubes are messured . it works great .
the condition is nearly perfect s you can see on the pictures. here are some infos from the web : H.H. Scott's first product was the Dynaural Noise Suppressor This product, aimed primarily at the professional broadcast market, made it possible, for the first time, to play records over the radio. Prior to its introduction, 78 rpm records were considered too full of pops and ticks to warrant airplay. Scott's first product, while a technical step forward, changed the face of American radio in a way that, in retrospect, cannot be considered positive. Overnight, all those wonderful live programs were replaced with recorded music. Chalk up another victory for technology over live music. Scott continued making a Dynaural Noise Suppressor through 1956, when the model 114A was finally discontinued. (editor's note: DNS was featured on such high-end Scott Types such as the: 121-C, 122, 272, and 296, well into the sixties. In fact, twenty-five years after Scott introduced DNS, SAE, introduced a conceptually similar processor in the mid-seventies called the SAE 5000 Impulse Noise Reduction System.) When the Dynaural Noise Suppressor was first introduced, Scott licensed the device to several companies for inclusion in their products, among them, the Fisher Radio Company (editor's note: oddly enough H.H. Scott, first licensed its DNS circuit design to the prestigious E.H. Scott, in the late forties.) This alliance was short-lived, as Scott soon began to market its own Amplifiers and Control Centers, utilizing its Dynaural Noise Suppressor circuitry. From the beginning, Fisher saw Scott as trouble, and the two companies were competitors through the mid-Sixties. Even today when people think of Scott, they also think of Fisher. These two companies became the Tweedle-Dee and Tweedle-Dum of American audio.