VTG WALNUT TREEN HAND MIRROR VANITY 19TH CENTURY WOOD FOLK ART PRIMITIVE WOODEN


VTG WALNUT TREEN HAND MIRROR VANITY 19TH CENTURY WOOD FOLK ART PRIMITIVE WOODEN

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VTG WALNUT TREEN HAND MIRROR VANITY 19TH CENTURY WOOD FOLK ART PRIMITIVE WOODEN:
$57.86



VTG WALNUT TREEN HAND MIRROR VANITY 19TH CENTURY WOOD FOLK ART PRIMITIVE WOODEN




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VINTAGE / ANTIQUE (?)
HAND HELD MIRROR
WOODEN TREEN WORK
FASHIONED FREE FORM
FOLK ART
MADE OF WALNUT
CIRCA 1890 +/-
MEASURES ABOUT 12\" LONG
PRIMITIVE DRESSING TABLE
PIECE IS AGED &HAS SOME FINISH WEAR

FYI


Treen, literally \"of a tree\" is a generic name for small handmade functional household objects made of wood. Treen is distinct from furniture, such as chairs, and cabinetry, as well as clocks and cupboards. Before the late 17th-century, when silver, pewter, and ceramics were introduced for tableware, most small household items, boxes and tableware were carved from wood. Today, treen is highly collectable for its beautiful patina and tactile appeal.Anything from wooden plates and bowls, snuff boxes and needle cases, spoons and stay busks to shoehorns and chopping boards can be classed as treen. Domestic and agricultural wooden tools are also usually classed with treen.Before the advent of cheap metal wares in industrialized societies, and later plastic, wood played a much greater part as the raw material for common objects. Turning and carving were the key manufacturing techniques. The selection of wood species was important, and close-grained native hardwoods such as box, beech and sycamore were particularly favoured, with occasional use of exotics, such as lignum vitae for mallet heads.Wooden objects have survived relatively less well than those of metal or stone, and their study by archaeologists and historians has been somewhat neglected until recently. Their strongly functional and undecorated forms have, however, been highly regarded by designers and collectors.The scholarly study of treen was greatly advanced by Edward Pinto (1901–1972), who started collecting in his childhood and wrote a definitive book on the subject. In 1965, when Birmingham Museum & Art Gallery purchased his collection, it contained over 7,000 items.

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A mirror is an object that reflects light or sound in a way that preserves much of its original quality subsequent to its contact with the mirror. Some mirrors also filter out some wavelengths, while preserving other wavelengths in the reflection. This is different from other light-reflecting objects that do not preserve much of the original wave signal other than color and diffuse reflected light. The most familiar type of mirror is the plane mirror, which has a flat surface. Curved mirrors are also used, to produce magnified or diminished images or focus light or simply distort the reflected image.Mirrors are commonly used for personal grooming or admiring oneself (in which case the archaic term looking-glass is sometimes still used), decoration, and architecture. Mirrors are also used in scientific apparatus such as telescopes and lasers, cameras, and industrial machinery. Most mirrors are designed for visible light; however, mirrors designed for other types of waves or other wavelengths of electromagnetic radiation are also used, especially in non-optical instruments.History
The first mirrors used by people were most likely pools of dark, still water, or water collected in a primitive vessel of some sort. The earliest manufactured mirrors were pieces of polished stone such as obsidian, a naturally occurring volcanic glass. Examples of obsidian mirrors found in Anatolia (modern-day Turkey) have been dated to around 6000 BC. Polished stone mirrors from Central and South America date from around 2000 BC onwards. Mirrors of polished copper were crafted in Mesopotamia from 4000 BC, and in ancient Egypt from around 3000 BC. In China, bronze mirrors were manufactured from around 2000 BC, some of the earliest bronze and copper examples being produced by the Qijia culture. Mirrors made of other metal mixtures (alloys) such as copper and tin speculum metal may have also been produced in China and India. Mirrors of speculum metal or any precious metal were hard to produce and were only owned by the wealthy.Metal-coated glass mirrors are said to have been invented in Sidon (modern-day Lebanon) in the first century AD, and glass mirrors backed with gold leaf are mentioned by the Roman author Pliny in his Natural History, written in about 77 AD. The Romans also developed a technique for creating crude mirrors by coating blown glass with molten lead.Parabolic mirrors were described and studied in classical antiquity by the mathematician Diocles in his work On Burning Mirrors. Ptolemy conducted a number of experiments with curved polished iron mirrors, and discussed plane, convex spherical, and concave spherical mirrors in his Optics. Parabolic mirrors were also described by the physicist Ibn Sahl in the 10th century, and Ibn al-Haytham discussed concave and convex mirrors in both cylindrical and spherical geometries, carried out a number of experiments with mirrors, and solved the problem of finding the point on a convex mirror at which a ray coming from one point is reflected to another point. By the 11th century, clear glass mirrors were being produced in Moorish Spain.In China, people began making mirrors with the use of silver-mercury amalgams as early as 500 AD. Some time during the early Renaissance, European manufacturers perfected a superior method of coating glass with a tin-mercury amalgam. The exact date and location of the discovery is unknown, but in the 16th century, Venice, a city famed for its glass-making expertise, became a centre of mirror production using this new technique. Glass mirrors from this period were extremely expensive luxuries. The Saint-Gobain factory, founded by royal initiative in France, was an important manufacturer, and Bohemian and German glass, often rather cheaper, was also important.The invention of the silvered-glass mirror is credited to German chemist Justus von Liebig in 1835. His process involved the deposition of a thin layer of metallic silver onto glass through the chemical reduction of silver nitrate. This silvering process was adapted for mass manufacturing and led to the greater availability of affordable mirrors. Nowadays, mirrors are often produced by the vacuum deposition of aluminium (or sometimes silver) directly onto the glass substrate.Mirrors and superstition
There are many legends and superstitions surrounding mirrors. Mirrors are said to be a reflection of the soul, and they were often used in traditional witchcraft as tools for scrying or performing other spells. It is also said that mirrors cannot lie. They can show only the truth, so it is a bad omen to see something in a mirror which should not be there. Also there is a European legend that a newborn child should not see a mirror until its first birthday as its soul is still developing. If the child sees its reflection it is said that it will die.It is a common superstition that someone who breaks a mirror will receive seven years of bad luck . The reason for this belief is that the mirror is believed to reflect part of the soul. Therefore, breaking a mirror will break part of the soul. However, the soul is said to regenerate every seven years, thus coming back unbroken.To prevent a broken mirror from reflecting a broken soul during the seven-year interim, one of many rituals must be performed. Two alternatives include grinding the broken mirror to dust (perhaps the easiest approach) or burying the mirror. It is also said that tapping the broken mirror on a gravestone seven times will allow the soul to heal. However, if the mirror is both touched to the gravestone and buried, the bad luck will remain. The only course of action for one in this position is to dig up the mirror and grind it to dust. This dust must be sprinkled around the same gravestone on which the mirror was initially tapped.There is a Buddhist belief that negative spirits will enter houses through the door if they have triangular-shaped roofs. Hanging a small circular mirror in front of the door will prevent the bad spirits from entering.In days past, it was customary in the southern United States to cover the mirrors in a house where the wake of a deceased person was being held. It was believed that the person\'s soul would become trapped in a mirror if it was left uncovered. This practice is still followed in other countries (e.g., Romania), extending to everything that could reflect the deceased person\'s face (such as TVs and appliances). Another explanation given is that the devil will appear in the reflection of the dead. Mirrors falling from walls or otherwise breaking or cracking mysteriously were said to be haunted. A similar custom existed in Greece, in the belief that use of mirrors is a sign of vanity that does not become mourning. (Other Greek mourning customs include not playing music, not entertaining guests, and using no festive decorations, e.g. on Christmas, during the customary year-long mourning period).According to legend, a vampire has no reflection in mirrors because it is an undead creature and has already lost its soul.Another superstition claims it is bad luck to have two mirrors facing each other.A staple of childhood slumber parties is the game bloody Mary, which involves chanting \"bloody Mary\" three times in a darkened room while staring into a mirror. There are many versions of the game, but the general idea is that \"Mary\" will appear in the mirror and attempt to harm or kill the person who has summoned her. Thanks to a series of popular horror movies based on a supernatural killer who haunted mirrors, the phrase \"Candyman\" may be substituted for Mary.

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VTG WALNUT TREEN HAND MIRROR VANITY 19TH CENTURY WOOD FOLK ART PRIMITIVE WOODEN:
$57.86

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